Lesson Plan 6 - 10.16.18
Lesson Plan 6
10.16.18
Attendence
Goals:
·
Watch everyone's amazing
Define a Place films (50 min)
·
Go over assignment 2 (5 min)
·
Pre-Interview your partner
for Assignment 2 (50 min)
PART ONE: REVIEW PROJECT #1
Structure:
Will call on about 2 people to respond after
each screening
Talk about 1 thing that works and one thing
that you didn’t understand, needs improvement…
Then the filmmaker can respond (you can’t
defend or say anything until the very end).
We’ll only have 5 min for each piece and I’ll
put it on a timer.
CONSTRUCTIVE CRITIQUE SESSION
Things to keep in mind when
critiquing:
· Think
about the film objectively
o
Don’t just say, “I didn’t like it”
That helps no one.
o
This becomes personal, so you don’t
want to hurt someone’s feelings.
o
How they can make it better
· What
was the filmmaker’s point of view? What
were they trying to say?
· What
elements/tools were they using (color, composition, camera movements,
structure, editing choices)
· Were
they successful in using these elements to accomplish what they were trying to
say?
· Were
shots framed with intent?
· How
did this piece make you feel? Mood?
· Safe
environment
· Being critiqued can be challenging but
rewarding and that it’s a really good way to see how your work is being
perceived by an audience.
PART TWO: PRE-INTERVIEW FOR ASSIGNMENT
#2.
·
Approximately
20 min for each partner to conduct pre-interview (Make sure to remind them half
way through to switch so that both people have a chance to conduct the
pre-interview).
·
If
they’re at a loss, refer them to Storycorps list of great questions.
10:15 am Sec 9
·
12:15pm Sec 10
REVIEW THE ASSIGNMENT: AUDIO PORTRAIT OF A PERSON
You'll interview one of your
classmates, then cut the audio and add SFX and music in Premiere. The goal is
to create a 3-4 minute "audio portrait" of this person, focusing on
an aspect of their life that has a larger universally relatable theme. In this
assignment, you'll learn the following things:
o Use a pre-interview to focus on ONE aspect of a person's life
(that YOU find interesting) that helps us understand a) who they are and b) how
it relates to all of us as humans. DON’T DO A LIFE STORY. Don’t delve too
deeply into the interview questions at this point. Save a little for the actual
interview next week.
o Come up with questions that guide the interview so that
a) you can create a story with a
narrative arc and
b) make it relateable/universal
o Record quality audio (15 MINUTES MAX OF INTERVIEW RECORD
TIME), making sure you secure a QUIET PLACE around campus
o Make a transcript of the interview, and then use that
transcript to cut the audio in a way that drives the story
o Cut audio in Premiere and how to add in sound effects (SFX)
o Overall, how to create a story that doesn't need visuals to
be compelling
IMPORTANT
INFORMATION ABOUT ASSIGNMENT
1. Once you've decided what to interview your partner about, ask them if they're ok talking about it. (we're doing consensual storytelling in this class, not gotcha journalism)
2. However, the person being interviewed should not prepare what they will say in advance. It is not up to the interviewee to come up with something "interesting" to say. It's up to you whether or not you show your questions to your interviewee before the interview.
1. Once you've decided what to interview your partner about, ask them if they're ok talking about it. (we're doing consensual storytelling in this class, not gotcha journalism)
2. However, the person being interviewed should not prepare what they will say in advance. It is not up to the interviewee to come up with something "interesting" to say. It's up to you whether or not you show your questions to your interviewee before the interview.
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